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Consortium of Swiss Academic Libraries

Interactions between formal distance and participant-related variables in receptive multilingualism

Vanhove, Jan ; Berthele, Raphael

In: International Review of Applied Linguistics in Language Teaching, 2017, vol. 55, no. 1, p. 23-40

Université de Fribourg

Fafner contro Harry Potter : Wagner e il cinema, andata e ritorno

Vincent, Delphine

In: Siegfried : seconda giornata della sagra scenica "Der Ring des Nibelungen", in tre atti, 2007, p. 23-40

Université de Fribourg

"Den Propheten der neuen Welt" : Is Meyerbeer’s style cinematic?

Vincent, Delphine

In: Bild und Bewegung im Musiktheater: Interdisziplinäre Studien im Umfeld der Grand opéra = Image and Movement in Music Theatre: Interdisciplinary Studies around Grand Opéra, 2018, p. 119-131

Giacomo Meyerbeer is famous for his contribution to opera, developing the style of grand opéra, with Robert le diable (1831), Les Huguenots (1836), Le Prophète (1849) and L’Africaine (1865). The modernity of his musical and dramatic methods of representation led some researchers to assume that Meyerbeer’s writing is partly cinematic. It is the validity of this assumption that I will...