In: Mother of God. Representations of the Virgin in Byzantine Art, exhibition catalogue (Athens, Benaki Museum, 20 October 2000 - 20 January 2001), 2000, p. 79-89
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In: Santa Croce e Santo Volto. Contributi allo studio dell’origine e della fortuna del culto del Salvatore (secoli IX-XV), 2002, p. 1-86
According to an old, very widespread legend, an icon of the Saviour would have bled after being stabbed with a lance by the Jews of Beirut. The blood poured out by this icon was considered to be so worth worshipping, that it became widespread in Western Europe. Moreover, the story was yearly commemorated in Rome since at least the 10th century as a specific feast in honor of icons, being...
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In: Intorno al Sacro Volto. Genova, Bisanzio e il Mediterraneo (secoli XI-XIV), 2007, p. 63-78
This paper deals with the origins of icon veneration in Pisa in the 12th and 13th century and offers a new interpretation of the art-historical phenomenon known as the "maniera greca". Far from being just a matter of artistic taste, the "maniera greca" can be interpreted as the outcome of the local appropriation of icon-centered devotional patterns being widespread in Eastern Christianity and the...
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