In: Mystery Cults in Visual Representation in Graeco-Roman Antiquity, 2020, vol. 194, p. 1-37
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In: Dionysus and Rome. Religion and Literature, 2020, p. 219-238
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In: Journal of Ancient History, 2017, p. 179-204
One of the key events in the relations between the Athenians and Thebans was the Plataian decision to align themselves with the Athenians at the end of the sixth century BCE. This decision shook up the contemporary political landscape and proved to be a source of hostility between the two neighbouring polities throughout the fifth and fourth centuries. The orthodox view holds that the...
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In: Gems of Heaven. Recent Research on Engraved Gemstones in Late Antiquity, 2011, p. 69-74
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Thèse de doctorat : Université de Fribourg, 2007.
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In: Rapid Communications in Mass Spectrometry, 2010, vol. 24, no. 19, p. 2812-2816
The most valuable pigment of the Roman wall paintings was the red color obtained from powdered cinnabar (Minium Cinnabaris pigment), the red mercury sulfide (HgS), which was brought from mercury (Hg) deposits in the Roman Empire. To address the question of whether sulfur isotope signatures can serve as a rapid method to establish the provenance of the red pigment in Roman frescoes, we...
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In: Hoping for continuity. Childhood, education and death in Antiquity and Middle Ages, 2005, p. 72-83
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