In: Bild und Bewegung im Musiktheater: Interdisziplinäre Studien im Umfeld der Grand opéra = Image and Movement in Music Theatre: Interdisciplinary Studies around Grand Opéra, 2018, p. 119-131
Giacomo Meyerbeer is famous for his contribution to opera, developing the style of grand opéra, with Robert le diable (1831), Les Huguenots (1836), Le Prophète (1849) and L’Africaine (1865). The modernity of his musical and dramatic methods of representation led some researchers to assume that Meyerbeer’s writing is partly cinematic. It is the validity of this assumption that I will...
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City Pop is a loosely defined musical genre that first emerged in Japan in the late 1970s. Having undergone several recontextualizations and revivals in its country of origin, the genre has recently gained an international following among young Internet users. The most enthusiastic of City Pop’s new fans meet in social media groups and online forums; as of late 2020, a dozen fan communities...
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In: Handai ongaku gakuhō / Journal of Handai Music Studies, 2020/16/17//15-42
Commonly said to embody the 'urbane' and 'refined' lifestyle of metropolitan Tokyo and to prefigure the transnational and consumerist characteristics of today's mainstream J-Pop, Japanese City Pop has undergone several recontextualizations since it first surfaced in the last quarter of the 20th century. I use City Pop as an example to interrogate the intermedial qualities of the processes at...
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Thèse de doctorat : Université de Fribourg, 2018.
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Thèse de doctorat : Université de Fribourg, 2017.
Diese Studie untersucht zwei Universitätscolleges nach ihrer Gründung im frühen 16. Jahrhundert, mit speziellem Augenmerk auf die Reformen des Gottesdiensts und der Musik während der unbeständigen Periode religiösen und politischen Wandels, die mit der Etablierung der Ecclesia Anglicana (1534) begann und sich während der Reformation und bis zum Beginn des Commonwealth (1650) fortsetzte....
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