In: Annali della Scuola Normale Superiore di Pisa, 1997/IV/2/1/1-59
This article discusses two different objects that point out the importance played by Byzantine or Byzantinizing images in the religious experience of early 13th century Italy. The first example is the icon of the Madonna di sotto gli organi worshipped in Pisa Cathedral: the analysis of its iconographic and stylistic features enables its identification as a work made in the Eastern Mediterranean,...
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In: Bollettino d’arte, 1994, vol. VI, no. 79, p. 73-92
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In: Medioevo: immagine e memoria, proceedings of a congress (Parma, 23-28 September 2008), 2009, p. 93-108
The article deals with the making of Christ's image in Late Antiquity and the Early Middle Ages and investigates more specifically the symbolic meaning of hair in connection with the Messias' prefigurations in the Bible.
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In: Iconographica, 2004, vol. 3, p. 11-37
The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke.
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In: Mariani Canova (ed.), Luca Evangelista. Parola e immagine tra Oriente e Occidente, exhibition catalogue (Padua, Museo diocesano, 14 October 2000 - 6 January 2001), 2000, p. 103-109
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