In: Rivista di matematica per le scienze economiche e sociali, 1998, vol. 21, no. 1-2, p. 125-146
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In: Neohelicon, 2010, vol. 37, no. 1, p. 155-180
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In: L’officina dello sguardo. Scritti in onore di Maria Andaloro, 2014, vol. I, p. 137-144
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In: L’VIII secolo: un secolo inquieto, proceedings of the international symposium (Cividale del Friuli, 4-7.12.2008), 2010, p. 63-68
Iconography
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In: Form-finding, form-shaping, designing architecture : experimental, aesthetical, and ethical approaches to form in recent and postwar architecture = approcci sperimentali, estetici ed etici alla forma in architettura, dal dopoguerra ad oggi, 2015, p. 77-95
Form(-finding), aesthetics and ethics are key concepts in the philosophy of architect Frei Otto. Several of his ideas currently appear to be experiencing a renaissance. This is especially true for his concept of “form-finding” which frequently features in contemporary architectural discourse – albeit often with one of two common misconceptions: in the first, the term is used, or...
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In: Form-finding, form-shaping, designing architecture : experimental, aesthetical, and ethical approaches to form in recent and postwar architecture = approcci sperimentali, estetici ed etici alla forma in architettura, dal dopoguerra ad oggi, 2015, p. 113-129
How is it possible today to build with timber in an innovative manner? With appealing aesthetics, a convincing structural concept, and appropriate to the material involved? Architect and civil engineer Yves Weinand runs an office in Belgium and has also since 2004 been the director of IBOIS, the laboratory for timber construction at the Ecole Polytechnique Fédérale de Lausanne (EPFL). He ...
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In: Form-finding, form-shaping, designing architecture : experimental, aesthetical, and ethical approaches to form in recent and postwar architecture = approcci sperimentali, estetici ed etici alla forma in architettura, dal dopoguerra ad oggi, 2015, p. 33-47
For many twentieth-century designers, the reduced-scale model represented an essential device for defining and controlling structural forms — one need only think of the work of Arturo Danusso, Pier Luigi Nervi and Sergio Musmeci in Italy; Eduardo Torroja in Spain; Heinz Isler and Heinz Hossdorf in Switzerland; and Frei Otto in Germany, etc. In addition to technical variations associated with...
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In: Atlante delle Tebaidi e dei temi figurativi, 2013, p. 6-11
Tebaidi; Desert; Contemplation
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In: L’adeguamento liturgico. Identità e trasformazione delle chiese, 2013, p. 31-59
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In: Immagine e scrittura. Presenza greca a Messina dal Medioevo all’età moderna/Image and Scripture. Greek Presence in Messina from the Middle Ages to Modernity [exhibition catalogue, Messina, Museo regionale “Maria Accascina”, 24 March-26 May 2013, 2013, p. 201-216
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