Porrentuy : Société jurassienne d'émulation : Office de la culture, 2022
(Cahiers d'archéologie jurassienne ; 38)
ISBN: 9782839938464
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In: Historische Zeitschrift, 2017, vol. 305, no. 3, p. 780-781
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Mémoire de bachelor : Haute Ecole Arc Conservation-Restauration, 2020.
This work addresses a quilted horse armor from Nigeria kept in the Bernisches Historisches Museum where it was being stored on a real size horse dummy. However, this storage wasn’t adapted as the dummy’s dimensions didn’t fit the armor which was distorting under its own weight. It was also exposed to both light and dust. In addition, this way of storing the object was taking a considerable...
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In: Lebensräume gestalten. Heinrich Metzendorf und die Reformarchitektur an der Bergstraße, 2013, p. 91–106
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Freiburg i. Ue., 1949
(Paradosis ; 3)
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In: Archimède. Archéologie et Histoire ancienne, 2020, vol. 7, p. 317-326
Recent research has underlined how games can serve as powerful tools for the creation of new social spaces, bridging different ethnic and cultural groups, both in the present and in the past. The scope of this paper is to explore whether games can offer new insights into that process of cultural co-optation that brought in contact the Roman world and the various ethnic groups that were...
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In: Grundgesetz: Kommentar 7. Auflage, 2018, p. 173-226
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In: Die Kirchen der Stadt Rom im Mittelalter 1050-1300. Band 4: M-O, SS. Marcellino e Pietro bis S. Omobono, 2020, p. 311-337
Die im ausgehenden 13. Jahrhundert begonnene dreischiffige Basilika von S. Maria sopra Minerva ist zwar nicht die erste Niederlassung des Dominikanerordens in Rom, doch sein einziger Neubau. Es handelt sich um einen der seltenen Fälle mittelalterlicher Architektur der Stadt, bei der die römische Bautradition verlassen und antikes Spolienmaterial nicht als solches erkennbar verwendet wurde.
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In: Cultural Interactions in Medieval Georgia (Scrinium Friburgense; 41), 2018, p. 89-114
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In: Iconographica. Rivista di iconografia medievale e moderna, 2018, vol. 17, p. 47-65
The aim of this article is to analyze the representation of the Last Judgment in five royal church foundations of medieval Serbia dating from the 13th and 14th century under the powerful dynasty of the Nemanjia, and to contribute to its interpretation by bringing into focus the meaningful visualization of “the righteous” and “the condemned”. Although the treatment of the composition is in...
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