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Université de Neuchâtel

La suscripción a obras literarias en España en la segunda mitad del siglo XVIII: libreros e instituciones = Subscriptions to Literary Works in Spain During the Second Half of the Eighteenth Century: Booksellers and Institutions

Buigues, Jean-Marc

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 357-389

This paper analyzes book subscriptions in Spain through fourteen works of literature from the second half of the eighteenth century. Works by Torres Villarroel, Tomás de Iriarte, Lope de Vega, Ramón de la Cruz, Capmany, Vaca de Guzmán, Castrillón, and Don Quixote, and translations of English novels from the end of the century, constitute the corpus. These are analyzed under a double...

Université de Neuchâtel

El orden de los libros: reflexiones en torno a la biblioteca del caballero don Quijote de la Mancha = The Order of Books : Thoughts on the Library of the Knight Don Quijote de la Mancha

Parello, Vincent

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 335-356

The literary text is a real act of communication that connects individual or collective writers to their readers. So, through the order of books, it is possible to establish links between the library of Don Quixote de la Mancha and the library of Cervantes – that the former must partly mirror. It is also true for the output formats, the editions, the publishers, the publishing places, the dates...

Université de Neuchâtel

Redes de sociabilidad literaria en torno a Enrique Vaca de Alfaro = Literary Sociability Networks Around Enrique Vaca de Alfaro

Collantes Sánchez, Carlos María

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 270-299

This paper analyzes the configuration of Cordovan doctor Enrique Vaca de Alfaro’s authorial profile from the perspective of the Sociology of Texts, as proposed by McKenzie. A series of bibliographic data obtained from the author's printed works is used to define hi socioliterary relations with his environment. A methodological model based on bibliography is proposed to interpret the...

Université de Neuchâtel

Lope y la publicación de ocho (o diez) comedias «en otra parte»... ¿un primer proyecto editorial para su teatro? = Lope de Vega and the Publication of Eight (or Ten) Plays “en otra parte”… A First Editorial Project for his Theatre?

Fernández Rodríguez, Daniel

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 330-334

The aim of this paper is to study the final lines of El peregrino en su patria (1604), which have not received the attention that they deserve, although they have given rise to different interpretations. As I will attempt to argue by analysing the text and its context, Lope seems to sketch two editorial projects of distinct nature, both of which were frustrated by the theatre business: the...

Université de Neuchâtel

Sociabilidad literaria e imprenta: Academias poéticas madrileñas publicadas entre 1661 y 1663 : Literary Sociability and the Printing Press : Madrid Poetic Academies Published Between 1661 and 1663

Osuna, Inmaculada

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 241-269

Towards 1650 the formation of poetical academies is a usual practice in several Spanish cities, and especially in Madrid. However, until the second half of the century there are no prints reproducing a specific Academy session, with the speeches of the literary act and the poems on demand. This publishing phenomenon stands out above all in Madrid, although, to a lesser extent, it reaches a few...

Université de Neuchâtel

Aristocracia, academia e imprenta: Díez y Foncalda en su entorno aragonés

Cano Turrión, Elena

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 193-240

In the Zaragoza of the mid-seventeenth century proliferated academies and the printing of poetry books; the relationships between the authors formed a thick plot (academies, dedications, preliminaries, anthologies...) in which more than literary links were established. Taking as point of departure the figure of Alberto Díez y Foncalda (Poesías varias, Juan de Ibar, Zaragoza, 1653), we...

Université de Neuchâtel

Tres manifestaciones de la identidad literaria en el Diálogo de la alegría del alma contra el temor de la muerte (Cuenca, 1612): autor, editor y dedicatario = Three Manifestations of Literary Identity in the Diálogo de la Alegría del Alma Contra el Temor de la Muerte (Cuenca, 1612) : Author, Editor, and Dedicatee

Redondo Pérez, Germán

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 179-192

It is not possible to affirm that only the author is behind a fictional text. Usually, a lot of agents and determining factors have an important influence in the literary product. This work focuses on the knowing of that union of factors and wishes that could configure the literary identity. Specifically, the particularities of the author, publisher and the person to whom is dedicated the book...