In: Rivista di archeologia, storia, costume. Istituto storico lucchese, 1998, vol. 26, no. 2-4, p. 87-102
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In: Bollettino d’arte, 1994, vol. VI, no. 79, p. 73-92
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In: Studium Medievale, 2010, no. 3, p. 79-101
The present article deals with the dynamics of interaction between the different religious denominations living in the Cypriot port town of Famagusta in the 14th and early 15th centuries, as they are witnessed by extant monuments and their pictorial ornaments.
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In: Annali della Scuola Normale Superiore di Pisa, 1997/IV/2/1/1-59
This article discusses two different objects that point out the importance played by Byzantine or Byzantinizing images in the religious experience of early 13th century Italy. The first example is the icon of the Madonna di sotto gli organi worshipped in Pisa Cathedral: the analysis of its iconographic and stylistic features enables its identification as a work made in the Eastern Mediterranean,...
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In: L’artista a Bisanzio e nel mondo cristiano-orientale, proceedings of the international congress held in Pisa, Scuola Normale Superiore, 21-22 novembre 2003, 2007, p. 177-209
The present papers shows that, against the popular view of the Byzantine artist as a pious artisan subjected to the authority of the Church, a number of Byzantine craftsmen sympathized for and were involved in heterodox religious behaviours and heretic movements. The paper includes examples from late Antiquity until the Middle- and Late Byzantine periods.
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In: La Santa Croce di Lucca, il Volto Santo. Storia, tradizioni, immagini , proceedings of a congress held in Lucca, 2003, p. 115-130
This paper focuses on the ways in which the most important cult-image in Medieval Lucca, the so-called "Volto Santo" (holy face) came to be regarded by contemporary viewers as a true-to-life image of Christ, sculpted by the Pharisee Nicodemus. The paper emphasizes also the connection with the liturgical tradition of the Passio ymaginis feast on November 9 and its literary and ritual framework.
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In: Medioevo: immagine e memoria, proceedings of a congress (Parma, 23-28 September 2008), 2009, p. 93-108
The article deals with the making of Christ's image in Late Antiquity and the Early Middle Ages and investigates more specifically the symbolic meaning of hair in connection with the Messias' prefigurations in the Bible.
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In: Medioevo: la Chiesa e il Palazzo, proceedings of the international congress held in Parma, 2007, p. 183-192
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In: Iconographica, 2004, vol. 3, p. 11-37
The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke.
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In: Mariani Canova (ed.), Luca Evangelista. Parola e immagine tra Oriente e Occidente, exhibition catalogue (Padua, Museo diocesano, 14 October 2000 - 6 January 2001), 2000, p. 103-109
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