Arte Nuevo. Revista de estudios áureos

New Art. Journal of Golden Age Studies
Arte Nuevo
Arte nuevo es una revista anual publicada sin interrupción desde 2014. Arte nuevo es una revista electrónica de acceso libre dedicada al estudio de la literatura del Siglo de Oro español, pero también, de modo secundario, a la historia y cultura hispánica de la época, entendidas de modo amplio hasta abarcar los textos producidos en España o la órbita del mundo hispánico desde los Países Bajos hasta América, y durante los siglos XVI y XVII. Arte nuevo acepta artículos en diversos idiomas (español, inglés, francés, italiano, portugués y catalán). La calidad de los textos publicados está garantizada por un proceso anónimo de revisión por pares y por un comité de expertos de renombre internacional.

New Art. Journal of Golden Age Studies

Arte nuevo (New Art. Journal of Golden Age Studies) is an annual journal published without interruptions since 2014. Arte nuevo is a free-access electronic publication dedicated to the study of Golden Age Spanish literature, but also, secondarily, to Early-Modern Spanish history and culture, understood broadly as to comprise texts produced in Spain or in the orbit of the Spanish world, from the Low Countries to America, during the sixteenth and seventeenth centuries. Arte nuevo accepts articles in several languages (Spanish, English, French, Italian, Portuguese, and Catalan). The publications are guaranteed by an anonymous peer-review evaluation process and by a committee of renowned experts at an international level.

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Université de Neuchâtel

Apuntes sobre falsificación y plagio en la república literaria española del siglo XVIII

Álvarez Barrientos, Joaquín

In: Arte Nuevo, 2017, vol. 4, p. 921-954

This paper presents some apocryphal and plagiarisms that occurred in eighteenth century Spain to show how these practices contributed to the consolidation of the Republic of Letters.

Université de Neuchâtel

Fascination for the « Madritsche Apoll »: Lope de Vega in Golden Age Amsterdam

Álvarez Francés, Leonor

In: Arte Nuevo : Revista de estudios áureos, 2014, vol. 1, p. 1-15

This article studies the manner in which Spanish theatre plays in their Dutch translation were sold in Amsterdam between 1617 and 1672, with an emphasis in Lope de Vega’s works. His remarkable popularity is analysed in quantitative and qualitative terms; that is, employing numeric data concerning how many of the translated plays were his, while also paying attention to how often his name was...

Université de Neuchâtel

No hay reino como el de Dios y los mártires de Madrid: problemas de identificación y de atribución = No hay reino como el de Dios y los mártires de Madrid: identification and authorship problems

Alviti, Roberta

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 90-109

The article focuses on the comedy No hay reino como el de Dios y mártires de Madrid, written in collaboration between Jerónimo de Cáncer and Velasco, Juan de Matos Fragoso, and Agustín Moreto. The preliminary task is to distinguish this piece, taking into allow the manuscript and printed texts, from another with which it has been often confused, with reason of the similarity of...

Université de Neuchâtel

La copla real en el teatro de Calderón = The copla real in Calderón’s theater

Antonucci, Fausta

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 1-20

Departing from the experience afforded by Calderón Digital, database for Calderón’s theater that includes a detailed metrical synopsis of each work included, this article underscores the presence of the copla real in eight of the fifty titles included to-date in the platform, plus some further cases whose experimental nature pose some doubts. We point out how Calderón uses two...

Université de Neuchâtel

Los sonetos amorosos en díptico de Lope de Vega

Antonucci, Fausta

In: Arte Nuevo, 2017, vol. 4, p. 383-414

As a first approach to the peculiar poetic configuration of many Lope comedias, this article examines the sonnets of requited love pronounced by a galán and a lady in comedias of certain authorship: El mármol de Felisardo, El sol parado, Lucinda perseguida, El Hamete de Toledo, El animal de Hungría, El perro del hortelano, Nadie se conoce, La discreta venganza, Lo cierto por lo dudoso, La...

Université de Neuchâtel

Para una relectura intertextual de El médico de su honra de Calderón

Antonucci, Fausta

In: Arte Nuevo : Revista de estudios áureos, 2014, vol. 1, p. 16-39

In this paper some scarcely studied texts are analyzed, whose ecoes one can detect in Calderón’s El médico de su honra: from Claramonte’s Deste agua no beberé, to Lope de Vega’s La locura por la honra, in addition to Lope’s La fuerza lastimosa and Guillén de Castro’s El conde Alarcos, and of course El médico de su honra attributed to Lope,...

Université de Neuchâtel

La pintura de Timantes en el círculo cervantino: Pedro de Padilla, Lobo Lasso de la Vega y el Quijote

De Armas, Frederick A.

In: Arte Nuevo : Revista de estudios áureos, 2016, vol. 3, p. 151-183

Most paintings from Antiquity, especially Greek ones, have disappeared. Nevertheless, we have descriptions of many of them, mostly in book 35 of Pliny the Elderʼs Natural History. This article studies how two paintings by Timanthes described by Pliny appeared as ekphrases in Golden Age poetry. Although there are ekphrases of Timanthes in Garcilaso and Boscán, this article...