In: L’héritage byzantin en Italie (VIIIe-XIIe siècle). III. Décor monumental, objets, tradition textuelle, 2015, p. 11-22
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In: Immagine e scrittura. Presenza greca a Messina dal Medioevo all’età moderna/Image and Scripture. Greek Presence in Messina from the Middle Ages to Modernity [exhibition catalogue, Messina, Museo regionale “Maria Accascina”, 24 March-26 May 2013, 2013, p. 201-216
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In: Convivium : exchanges and interactions in the arts of medieval Europe, Byzantium, and the Mediterranean, 2015, vol. 2, no. 1, p. 126-147
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In: La Madonna delle Vittorie a Piazza Armerina. Dal Gran Conte Ruggero al Settecento, exhibition catalogue (Piazza Armerina, Museo diocesano, 21 December 2009-27 February 2010)(Santiago de Compostela, 13-15 Octubre 2010), 2009, p. 37-42
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In: La pietra e il leone. San Pietro e san Marco nell’Oriente cristiano. Icone dalla collezione Intesa Sanpaolo, exhibition catalogue (Vicenza, Gallerie di Palazzo Leoni Montanari, 5 giugno-10 ottobre 2010), 2010, p. 9-23
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In: Artifex bonus. Il mondo dell’artista medievale, 2004, p. 177-186
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In: Intorno al Sacro Volto. Genova, Bisanzio e il Mediterraneo (secoli XI-XIV), 2007, p. 63-78
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In: Perspective: actualités de la recherche en histoire de l'art, 2012, p. 347-364
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In: Hierotopy. Studies in the Making of Sacred Spaces. Material from the International Symposium, 2004, p. 132-134
The monastery of Our Lady of Saydnaya, located 22 km east of Damascus, still proves to be one of the most important cult-centres of present-day Syria; although it is inhabited and controlled by Christian (i.e. Greek Orthodox) nuns, its church, housing a very famous icon of the Virgin Mary, is daily visited also by a great many Muslim worshippers. Its renown dates back to the late 12th century,...
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In: Torcello. Alle origini di Venezia tra Occidente e Oriente, exhibition catalogue (Venice, Museo diocesano, 29 August 2009-10 January 2010), 2009, p. 96-115
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