In: Storia delle arti in Toscana. Il Trecento, 2004, p. 147-169
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In: Добрый кормчий. Почитание святителя Николая в христианском мире, 2011, p. 296-317
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In: Il Volto di Cristo, exhibition catalogue (Rome, Palazzo delle Esposizioni, 9 December 2000 - 16 April 2001), 2000, p. 33-35
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In: Acta ad archaeologiam et artium historiam pertinentia, 2008, vol. 21, p. 171-195
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In: Journal of the Warburg and Courtauld Institutes, 1998, vol. 61, p. 1-16
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In: Crossing cultures: conflict, migration and convergence: the proceedings of the 32nd International Congress of the History of Art, Melbourne, 2009, p. 196-201
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In: Convivium: Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterreanean, 2014, vol. 1, no. 1, p. 190-205
Focusing on Andreas Ritzos' icon with the monogram IHS in Athens, this article offers insights about the role played by the monogram on Crete and points out that the particular solution shown in Ritzos' image is not in keeping with St. Bernardine's "icon" of the Holy Name of Jesus and indicates an association with the symbolism of the holy host.
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