Université de Fribourg

Les origines de la pratique du couronnement des images et l’iconographie des Vierges couronnées à l’époque moderne

Bacci, Michele

In: Foules catholiques et régulation romaine. Les couronnements de Vierges de pèlerinage à l’époque contemporaine (XIXe et XXe siècles), 2011, p. 23-33

Université de Fribourg

L’icona della Vergine di Kykkos

Bacci, Michele

In: La Madonna delle Vittorie a Piazza Armerina. Dal Gran Conte Ruggero al Settecento, exhibition catalogue (Piazza Armerina, Museo diocesano, 21 December 2009-27 February 2010)(Santiago de Compostela, 13-15 Octubre 2010), 2009, p. 37-42

Université de Fribourg

San Pietro e san Marco, ovvero Antiochia e Alessandria

Bacci, Michele

In: La pietra e il leone. San Pietro e san Marco nell’Oriente cristiano. Icone dalla collezione Intesa Sanpaolo, exhibition catalogue (Vicenza, Gallerie di Palazzo Leoni Montanari, 5 giugno-10 ottobre 2010), 2010, p. 9-23

Université de Fribourg

Immagini lungo le rotte del mare: alcune riflessioni a margine della mostra barese su san Nicola

Bacci, Michele

In: I Santi venuti dal mare. Atti del V Convegno internazionale di studio (Bari-Brindisi, 14-18 dicembre 2005), 2009, p. 111-130

Université de Fribourg

La concepción del espacio sagrado en la Famagusta medieva

Bacci, Michele

In: Studium Medievale, 2010, no. 3, p. 79-101

The present article deals with the dynamics of interaction between the different religious denominations living in the Cypriot port town of Famagusta in the 14th and early 15th centuries, as they are witnessed by extant monuments and their pictorial ornaments.

Université de Fribourg

Due tavole della Vergine nella Toscana occidentale del primo Duecento

Bacci, Michele

In: Annali della Scuola Normale Superiore di Pisa, 1997/IV/2/1/1-59

This article discusses two different objects that point out the importance played by Byzantine or Byzantinizing images in the religious experience of early 13th century Italy. The first example is the icon of the Madonna di sotto gli organi worshipped in Pisa Cathedral: the analysis of its iconographic and stylistic features enables its identification as a work made in the Eastern Mediterranean,...

Université de Fribourg

Le Majestats, il Volto Santo e il Cristo di Beirut: nuove riflessioni

Bacci, Michele

In: Iconographica: rivista di iconografia medievale e moderna, 2014, vol. 13, p. 45-66

In the small village of Beget, in the Catalonian Pyrenees, a monumental statue representing Christ in the Majestat- type and dating from the second half of the 12th century is involved in an unusual ceremony that takes place on November 9th, i.e. on the day associated in the High Middle Ages with the yearly celebration (known as Festum Salvatoris or Passio imaginis Domini) in honour of the...

Université de Fribourg

Qu’est-ce que l’espace méditerranéen au Moyen Âge

Bacci, Michele

In: Perspective: actualités de la recherche en histoire de l'art, 2014, vol. 2, p. 271-292

Université de Fribourg

Imaginariae repraesentationes’: l’iconografia evangelica e il pio esercizio della memoria

Bacci, Michele

In: Iconografia evangelica a Siena dalle origini al Concilio di Trento, 2009, p. 7-25