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Université de Neuchâtel

Apuntes sobre falsificación y plagio en la república literaria española del siglo XVIII

Álvarez Barrientos, Joaquín

In: Arte Nuevo, 2017, vol. 4, p. 921-954

This paper presents some apocryphal and plagiarisms that occurred in eighteenth century Spain to show how these practices contributed to the consolidation of the Republic of Letters.

Université de Neuchâtel

No hay reino como el de Dios y los mártires de Madrid: problemas de identificación y de atribución = No hay reino como el de Dios y los mártires de Madrid: identification and authorship problems

Alviti, Roberta

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 90-109

The article focuses on the comedy No hay reino como el de Dios y mártires de Madrid, written in collaboration between Jerónimo de Cáncer and Velasco, Juan de Matos Fragoso, and Agustín Moreto. The preliminary task is to distinguish this piece, taking into allow the manuscript and printed texts, from another with which it has been often confused, with reason of the similarity of...

Université de Neuchâtel

La copla real en el teatro de Calderón = The copla real in Calderón’s theater

Antonucci, Fausta

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 1-20

Departing from the experience afforded by Calderón Digital, database for Calderón’s theater that includes a detailed metrical synopsis of each work included, this article underscores the presence of the copla real in eight of the fifty titles included to-date in the platform, plus some further cases whose experimental nature pose some doubts. We point out how Calderón uses two...

Université de Neuchâtel

Los sonetos amorosos en díptico de Lope de Vega

Antonucci, Fausta

In: Arte Nuevo, 2017, vol. 4, p. 383-414

As a first approach to the peculiar poetic configuration of many Lope comedias, this article examines the sonnets of requited love pronounced by a galán and a lady in comedias of certain authorship: El mármol de Felisardo, El sol parado, Lucinda perseguida, El Hamete de Toledo, El animal de Hungría, El perro del hortelano, Nadie se conoce, La discreta venganza, Lo cierto por lo dudoso, La...

Université de Neuchâtel

Para una relectura intertextual de El médico de su honra de Calderón

Antonucci, Fausta

In: Arte Nuevo : Revista de estudios áureos, 2014, vol. 1, p. 16-39

In this paper some scarcely studied texts are analyzed, whose ecoes one can detect in Calderón’s El médico de su honra: from Claramonte’s Deste agua no beberé, to Lope de Vega’s La locura por la honra, in addition to Lope’s La fuerza lastimosa and Guillén de Castro’s El conde Alarcos, and of course El médico de su honra attributed to Lope,...