Université de Neuchâtel

Un posible cardo del jardín de Lope de Vega: « ¿Qué humanos ojos quedarán enjutos? » y su contexto polémico = A possible thistle from Lope de Vega’s garden: « ¿Qué humanos ojos quedarán enjutos? » and its polemical context

Sánchez Jiménez, Antonio

In: Studia Aurea, 2018, vol. 12, p. 155-166

Within the vast oeuvre of Lope de Vega, we focus on his satires ad hominem in order to study a little-known sonnet that tradition attributes to him, «¿Qué humanos ojos quedarán enjutos?», the reply to a Góngora poem by the same title that dates from c. 1611. Examining both sonnets in their polemic context, we study their stylistic peculiarities, that are characteristic of the...

Université de Neuchâtel

Métrica, ritmo acentual y autoría en la poesía española del Siglo de Oro = Metrics, Accentual Rhythm and Authorship in Golden Age Spanish Poetry

Llamas Martínez, Jacobo

In: Arte Nuevo : Revista de estudios áureos, 2018, vol. 5, p. 54-60

Introduction to the dossier «Metrics, Accentual Rhythm, and Authorship in Golden Age Spanish Poetry» and connection of this dossier to a congress stemming from an on-going research project.

Université de Neuchâtel

El apéndice poético de las Rimas (1609 [1602]) y su relevancia en la figuración de Lope de Vega como Autor = The Poetic Appendix to Rimas (1609 [1602]) and its Relevance in Lope de Vega’s Self-Fashioning as an Author

Avilés Icedo, César

In: Arte Nuevo : Revista de estudios áureos, 2018, vol. 5, p. 1-30

In this work, I analyze the twelve encomiastic poems that frame Lope de Vega’s Rhymes (1609[1602]). The approach is that these poems contribute to fashion Lope as an author, in spite of the formulaic load that pervades them, and that they offer the possibility of approaching a specific rhetoric in compositions of this kind. The analysis is done in the backlight of three aspects which are...