In: Arte e cultura, 2020, no. 15, p. 38–57
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In: Livio Vacchini, Scuola ai Saleggi di Locarno, 1970–1979 : genesi, trasformazioni e salvaguardia di un’architettura esemplare, 2020, p. 28-43
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In: L'architecture de l'Empire entre France et Italie : institutions, pratiques professionnelles, questions culturelles et stylistiques (1795-1815), 2020, p. 3-26
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In: Annali di architettura : rivista del Centro Internazionale di Studi di Architettura Andrea Palladio, 2017, no. 29, p. 67-78
“Come sarebbe bello”, scrive Pavel Muratov negli anni Dieci del Novecento, “se potessimo ripetere quanto ha fatto [Piranesi] e in luogo dell’attuale Roma immersa nel letargo, creare una Roma più maestosa di quella romana”. Nella dialettica fra passato e futuro architetti, registi e critici russi vedevano in Giovanni Battista Piranesi un modello importante. Questo accadde a partire...
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In: Mitteilungen des Kunsthistorischen Institutes in Florenz, 2018, vol. 60, no. 1, p. [200]-219
This article offers a fresh reading of fifteenth- and sixteenth-century architecture in Russia based on methodological assumptions that scholarly debate has rarely taken into account. First of all, the Council of Ferrara and Florence (1437–1439) is considered an important starting point for the renewal of architectural discourse in Russia. Secondly, the Italian contribution to the...
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In: Pratiche architettoniche a confronto nei cantieri italiani della seconda metà del Cinquecento, 2019, p. [VII]-XXV
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In: Form-finding, form-shaping, designing architecture : experimental, aesthetical, and ethical approaches to form in recent and postwar architecture = approcci sperimentali, estetici ed etici alla forma in architettura, dal dopoguerra ad oggi, 2015, p. 77-95
Form(-finding), aesthetics and ethics are key concepts in the philosophy of architect Frei Otto. Several of his ideas currently appear to be experiencing a renaissance. This is especially true for his concept of “form-finding” which frequently features in contemporary architectural discourse – albeit often with one of two common misconceptions: in the first, the term is used, or...
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In: Form-finding, form-shaping, designing architecture : experimental, aesthetical, and ethical approaches to form in recent and postwar architecture = approcci sperimentali, estetici ed etici alla forma in architettura, dal dopoguerra ad oggi, 2015, p. 33-47
For many twentieth-century designers, the reduced-scale model represented an essential device for defining and controlling structural forms — one need only think of the work of Arturo Danusso, Pier Luigi Nervi and Sergio Musmeci in Italy; Eduardo Torroja in Spain; Heinz Isler and Heinz Hossdorf in Switzerland; and Frei Otto in Germany, etc. In addition to technical variations associated with...
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