In: Annali della Scuola Normale Superiore di Pisa. Classe di lettere e filosofia, 1998, vol. 3, no. 1-2, p. 261-279
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In: Scultura lignea : Lucca 1200-1425, exhibition catalogue (Lucca, 16 December 1995 - 30 June 1996), 1995, p. 59-80
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In: Acta ad archaeologiam et artium historiam pertinentia, 2008, vol. 21, p. 171-195
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In: Scultura lignea : Lucca 1200-1425, exhibition catalogue (Lucca, 16 December 1995 - 30 June 1996), 1995, p. 31-41
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In: Medioevo: immagine e memoria, proceedings of a congress (Parma, 23-28 September 2008), 2009, p. 93-108
The article deals with the making of Christ's image in Late Antiquity and the Early Middle Ages and investigates more specifically the symbolic meaning of hair in connection with the Messias' prefigurations in the Bible.
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In: Medioevo: la Chiesa e il Palazzo, proceedings of the international congress held in Parma, 2007, p. 183-192
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In: Iconographica, 2004, vol. 3, p. 11-37
The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke.
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In: Mariani Canova (ed.), Luca Evangelista. Parola e immagine tra Oriente e Occidente, exhibition catalogue (Padua, Museo diocesano, 14 October 2000 - 6 January 2001), 2000, p. 103-109
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In: Rivista di archeologia, storia, costume. Istituto storico lucchese, 1998, vol. 26, no. 2-4, p. 87-102
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In: Annali della Scuola Normale Superiore di Pisa, 2000, vol. 5, p. 343-386
Giovanni Conti († 1332) was Archbishop of Nicosia and one of the major commissioners of artworks in Medieval Cyprus. The article deals with an embroidered textile now preserved in the Museo dell'Opera del Duomo in Pisa, which according to an inscription was sent as a gift to Pisa Cathedral by Giovanni Conti in 1325. By means of a technical, iconographic, and stylistic analysis the article...
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