In: Codex Aquilarensis, 2013, vol. 29, p. 15-21
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In: L’artista a Bisanzio e nel mondo cristiano-orientale, proceedings of the international congress held in Pisa, Scuola Normale Superiore, 21-22 novembre 2003, 2007, p. 177-209
The present papers shows that, against the popular view of the Byzantine artist as a pious artisan subjected to the authority of the Church, a number of Byzantine craftsmen sympathized for and were involved in heterodox religious behaviours and heretic movements. The paper includes examples from late Antiquity until the Middle- and Late Byzantine periods.
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In: La Santa Croce di Lucca, il Volto Santo. Storia, tradizioni, immagini , proceedings of a congress held in Lucca, 2003, p. 115-130
This paper focuses on the ways in which the most important cult-image in Medieval Lucca, the so-called "Volto Santo" (holy face) came to be regarded by contemporary viewers as a true-to-life image of Christ, sculpted by the Pharisee Nicodemus. The paper emphasizes also the connection with the liturgical tradition of the Passio ymaginis feast on November 9 and its literary and ritual framework.
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In: Giornate di studio in ricordo di Giovanni Previtali, Pisa: Edizioni della Normale, 2002 [Annali della Scuola Normale Superiore di Pisa. Quaderni, ser. IV, 9-10, 2000], 2000, p. 15-28
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In: Bollettino d’arte, 1994, vol. VI, no. 79, p. 73-92
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In: Text, Bild und Ritual in der mittelalterlichen Gesellschaft (8.-11. Jh.) Testo, immagine e rito nella società altomedievale (VIII-XI sec, 2014, p. 115-144
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In: Santuari cristiani d’Italia. Committenze e fruizione tra Medioevo e età moderna, Proceedings of a symposium (Isola Polvese, 11-13 September 2001, 2003, p. 127-144
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In: Artifex bonus. Il mondo dell’artista medievale, 2004, p. 3-11
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In: Sindrome d’Oriente, exhibition catalogue (Milan, Fondazione Mudima, 7 October – 7 November 2003), 2003, p. 31-51
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In: Il Volto di Cristo, exhibition catalogue (Rome, Palazzo delle Esposizioni, 9 December 2000 - 16 April 2001), 2000, p. 33-35
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