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Université de Fribourg

La nuova iconografia religiosa

Bacci, Michele

In: Storia delle arti in Toscana. Il Trecento, 2004, p. 147-169

Université de Fribourg

Иконография святителя Николая. Итоги и перспективы исследований

Bacci, Michele

In: Добрый кормчий. Почитание святителя Николая в христианском мире, 2011, p. 296-317

Université de Fribourg

Due tavole della Vergine nella Toscana occidentale del primo Duecento

Bacci, Michele

In: Annali della Scuola Normale Superiore di Pisa, 1997/IV/2/1/1-59

This article discusses two different objects that point out the importance played by Byzantine or Byzantinizing images in the religious experience of early 13th century Italy. The first example is the icon of the Madonna di sotto gli organi worshipped in Pisa Cathedral: the analysis of its iconographic and stylistic features enables its identification as a work made in the Eastern Mediterranean,...

Université de Fribourg

La fisionomia di Cristo nelle testimonianze letterarie del Medioevo

Bacci, Michele

In: Il Volto di Cristo, exhibition catalogue (Rome, Palazzo delle Esposizioni, 9 December 2000 - 16 April 2001), 2000, p. 33-35

Université de Fribourg

The Berardenga Antependium and the Passio Ymaginis Office

Bacci, Michele

In: Journal of the Warburg and Courtauld Institutes, 1998, vol. 61, p. 1-16

Université de Fribourg

L’invenzione della memoria del volto di Cristo: osservazioni sulle interazioni fra iconografia e letteratura prosopografica prima e dopo l’Iconoclastia

Bacci, Michele

In: Medioevo: immagine e memoria, proceedings of a congress (Parma, 23-28 September 2008), 2009, p. 93-108

The article deals with the making of Christ's image in Late Antiquity and the Early Middle Ages and investigates more specifically the symbolic meaning of hair in connection with the Messias' prefigurations in the Bible.

Université de Fribourg

Kathreptis, o la Veronica della Vergine

Bacci, Michele

In: Iconographica, 2004, vol. 3, p. 11-37

The author explores the iconography of the mother of God from Byzantine and early Russian motifs to late medieval Italian images. The Aracoeli Madonna was the most imporant of the Western pictures of the virgin attributed to the evangelist Luke.

Université de Fribourg

La tradizione di san Luca pittore da Bisanzio all’Occidente

Bacci, Michele

In: Mariani Canova (ed.), Luca Evangelista. Parola e immagine tra Oriente e Occidente, exhibition catalogue (Padua, Museo diocesano, 14 October 2000 - 6 January 2001), 2000, p. 103-109

Université de Fribourg

The Holy Name of Jesus in Venetian-Ruled Crete

Bacci, Michele

In: Convivum, 2014, vol. 1, p. 190-205

Focusing on Andreas Ritzos' icon with the monogram IHS in Athens, this article offers insights about the role played by the monogram on Crete and points out that the particular solution shown in Ritzos' image is not in keeping with St. Bernardine's "icon" of the Holy Name of Jesus and indicates an association with the symbolism of the holy host.