Arte Nuevo. Revista de estudios áureos

New Art. Journal of Golden Age Studies
Arte Nuevo
Arte nuevo es una revista anual publicada sin interrupción desde 2014. Arte nuevo es una revista electrónica de acceso libre dedicada al estudio de la literatura del Siglo de Oro español, pero también, de modo secundario, a la historia y cultura hispánica de la época, entendidas de modo amplio hasta abarcar los textos producidos en España o la órbita del mundo hispánico desde los Países Bajos hasta América, y durante los siglos XVI y XVII. Arte nuevo acepta artículos en diversos idiomas (español, inglés, francés, italiano, portugués y catalán). La calidad de los textos publicados está garantizada por un proceso anónimo de revisión por pares y por un comité de expertos de renombre internacional.

New Art. Journal of Golden Age Studies

Arte nuevo (New Art. Journal of Golden Age Studies) is an annual journal published without interruptions since 2014. Arte nuevo is a free-access electronic publication dedicated to the study of Golden Age Spanish literature, but also, secondarily, to Early-Modern Spanish history and culture, understood broadly as to comprise texts produced in Spain or in the orbit of the Spanish world, from the Low Countries to America, during the sixteenth and seventeenth centuries. Arte nuevo accepts articles in several languages (Spanish, English, French, Italian, Portuguese, and Catalan). The publications are guaranteed by an anonymous peer-review evaluation process and by a committee of renowned experts at an international level.
Université de Neuchâtel

La suscripción a obras literarias en España en la segunda mitad del siglo XVIII: libreros e instituciones = Subscriptions to Literary Works in Spain During the Second Half of the Eighteenth Century: Booksellers and Institutions

Buigues, Jean-Marc

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 357-389

This paper analyzes book subscriptions in Spain through fourteen works of literature from the second half of the eighteenth century. Works by Torres Villarroel, Tomás de Iriarte, Lope de Vega, Ramón de la Cruz, Capmany, Vaca de Guzmán, Castrillón, and Don Quixote, and translations of English novels from the end of the century, constitute the corpus. These are analyzed under a double...

Université de Neuchâtel

La traducción, impulso y freno del canon: España, Francia y el siglo XVIII

Lafarga, Francisco

In: Arte Nuevo, 2017, vol. 4, p. 903-920

After discussing some preliminary questions regarding the concept of canon and its presence in translation studies, we examine the presence and absence of translations as constitutive forces of formation or the absence of canonical models (of French origin) in the Spanish literature of the eighteenth century.

Université de Neuchâtel

Suscripción y canon: las Obras de Torres Villarroel (1751-1752), primera suscripción a una obra impresa en España

Buiguès, Jean-Marc

In: Arte Nuevo, 2017, vol. 4, p. 849-901

This paper aims to analyze the first Spanish subscription to a printed work: the Torres Villarroel Works (1751- 1752). The study of the editorial forms for this subscription, but also the study of subscribersʼ sociology (geographical distribution, gender, state order, etc.), allows us to outline the hypothesis that subscription could constitute a new canon of readers, parallel to the literary...

Université de Neuchâtel

Mayans y la reforma de las letras españolas: la tradición como novedad

Martínez Alcalde, Maria José

In: Arte Nuevo : Revista de estudios áureos, 2016, vol. 3, p. 185-217

Gregorio Mayanʼs attitude towards the codification of Spanish provides data about the traditional or innovative nature of his proposals for the reform of the Spanish letters in the eighteenth century. These data include issues such as the analysis of Mayanʼs criticism towards the works of the Royal Spanish Academy, his proposal for the fixation of standard Spanish orthography or his assess-ment...

Université de Neuchâtel

La crisis/revolución de 1700 en la historia de la lengua española: el cambio de paradigma en las Weltansichten y lo viejo y lo nuevo en el Diccionario de Autoridades

Carriazo Ruiz, José Ramón

In: Arte Nuevo : Revista de estudios áureos, 2016, p. 43-108

The history of language does not follow the stages of general history. Those changes are difficult to specify (we call that periodization in language history) and in addition we need to introduce transitional changes of varying length. The transition between Baroqueʼs classical Spanish to Enlightenmentʼs modern Spanish is marked by a purification of the literary models, corpus selection, the...