Arte Nuevo. Revista de estudios áureos

New Art. Journal of Golden Age Studies
Arte Nuevo
Arte nuevo es una revista anual publicada sin interrupción desde 2014. Arte nuevo es una revista electrónica de acceso libre dedicada al estudio de la literatura del Siglo de Oro español, pero también, de modo secundario, a la historia y cultura hispánica de la época, entendidas de modo amplio hasta abarcar los textos producidos en España o la órbita del mundo hispánico desde los Países Bajos hasta América, y durante los siglos XVI y XVII. Arte nuevo acepta artículos en diversos idiomas (español, inglés, francés, italiano, portugués y catalán). La calidad de los textos publicados está garantizada por un proceso anónimo de revisión por pares y por un comité de expertos de renombre internacional.

New Art. Journal of Golden Age Studies

Arte nuevo (New Art. Journal of Golden Age Studies) is an annual journal published without interruptions since 2014. Arte nuevo is a free-access electronic publication dedicated to the study of Golden Age Spanish literature, but also, secondarily, to Early-Modern Spanish history and culture, understood broadly as to comprise texts produced in Spain or in the orbit of the Spanish world, from the Low Countries to America, during the sixteenth and seventeenth centuries. Arte nuevo accepts articles in several languages (Spanish, English, French, Italian, Portuguese, and Catalan). The publications are guaranteed by an anonymous peer-review evaluation process and by a committee of renowned experts at an international level.
Université de Neuchâtel

Los usos métricos de Benito Jerónimo Feijoo = Benito Jerónimo Feijoo’s Metrical Usages

Olay Valdés, Rodrigo

In: Arte Nuevo : Revista de estudios áureos, 2018, vol. 5, p. 189-225

In the present study, the metrical profile of the hardly known poetry by Benito Jerónimo Feijoo is traced for the first time. Among the 109 poems of secure attribution, there are 27 romances, 25 villancicos, 19 décimas, 15 redondillas, 6 quintillas, 5 sonnets, 4 polistrophic poems, 3 endechas reales, one cuarteta, one sexteto-lira, one...

Université de Neuchâtel

El verso libre. Historia de un malentendido = Free Verse. History of a Misunderstanding

Carreira, Antonio

In: Arte Nuevo : Revista de estudios áureos, 2018, vol. 5, p. 147-164

This article discusses the rhythmic nature of free verse in several poems by Francisco Manuel de Melo, written without rhyme or regular rhythm, and marked by punctuation, a fact that reveals Melo as the first poet to use free verse in a Romance language. Among these poems is the reproduction of an engraving with the calligram Pyramide solenne que se leuanta immortal à immortalidade de nossa...

Université de Neuchâtel

Quevedo, el ritmo poético y las figuras de posicíon : observaciones en los textos preliminares a sus ediciones de fray Luis de León y Francisco de la Torre = Quevedo, Poetic Rythm, and Figures of Position : Remarks in Preliminary Texts to his Editions of Fray Luis de León and Francisco de la Torre

Azaustre Galiana, Antonio

In: Arte Nuevo : Revista de estudios áureos, 2018, vol. 5, p. 122-147

This article studies Quevedo’s thoughts on several matters relating to figures of position and poetic rhythm, as expressed in the literary liminal texts to his editions to the poetry of Fray Luis de León and Francisco de la Torre.

Université de Neuchâtel

La copla real en el teatro de Calderón = The copla real in Calderón’s theater

Antonucci, Fausta

In: Arte Nuevo : Revista de estudios áureos, 2019, vol. 6, p. 1-20

Departing from the experience afforded by Calderón Digital, database for Calderón’s theater that includes a detailed metrical synopsis of each work included, this article underscores the presence of the copla real in eight of the fifty titles included to-date in the platform, plus some further cases whose experimental nature pose some doubts. We point out how Calderón uses two...